I Read Books: The Picture of Dorian Gray

Oscar Wilde’s The Picture of Dorian Gray is a tragedy and a cautionary tale. Which is why it came as something of a surprise to me when I finally sat down and read it that it’s got quite a few rather good jokes. Here’s Lord Henry Wotton being cynical:
“You seem to forget that I am married, and the one charm of marriage is that it makes a life of deception absolutely necessary for both parties. I never know where my wife is, and my wife never knows what I am doing.”
Here he is being rude about his aunt:
“The audience probably thought it was a duet. When Aunt Agatha sits down to the piano, she makes quite enough noise for two people.”
Here’s how the book describes his uncle Lord Fernor:
“In politics he was a Tory, except when the Tories were in office, during which period he roundly abused them for being a pack of Radicals. He was a hero to his valet, who bullied him, and a terror to most of his relations, whom he bullied in turn. Only England could have produced him, and he always said that the country was going to the dogs. His principles were out of date, but there was a good deal to be said for his prejudices.”
Lord Henry is not impressed with women.
“As for conversation, there are only five women in London worth talking to, and two of these can't be admitted into decent society.”
But he does like cigarettes.
“Basil, I can't allow you to smoke cigars. You must have a cigarette. A cigarette is the perfect type of a perfect pleasure. It is exquisite, and it leaves one unsatisfied. What more can one want?”
(Dorian lights his with “a light from a fire-breathing silver dragon that the waiter had placed on the table.” (Sadly almost certainly a regular – or perhaps large and extravagant – lighter, and not an actual dragon)).

Perhaps most interesting of all are the descriptions of what Dorian gets up to in the years between the start of the novel (the painting of the picture), and the end when a lot of bad things happen. Wilde gives us close-ups of all kinds of strange and extravagant things – he spends a lot of time looking into perfumes, and music, and jewels*, and embroidery – but not actually into the debauchery that the book hints at. It talks about the rumours that surround him but does not give us the substance.

Read This: Because we know the story of Dorian Gray and his portrait, but the one we know has all the hard edges smoothed off to make a simple morality tale.
Don’t Read This: If languid Victorian prose is not your thing; or if you don’t like a large amount of cruelty with your jokes.
Also: The Mirror of Stanion Gray.
The Picture of Dorian Gray exists in a number of versions; I read the 1891 20-chapter book edition. It, like all the others, is out of copyright and can be found online in a number of places including Project Gutenberg.

(This review crossposted at GoodReads.)
* On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone's pearly whiteness, and the broken rainbow of the milky opal. He procured from Amsterdam three emeralds of extraordinary size and richness of colour, and had a turquoise de la vieille roche that was the envy of all the connoisseurs.

He discovered wonderful stories, also, about jewels. In Alphonso's Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes "with collars of real emeralds growing on their backs." There was a gem in the brain of the dragon, Philostratus told us, and "by the exhibition of golden letters and a scarlet robe" the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her colour. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspilates, that, according to Democritus, kept the wearer from any danger by fire.

The King of Ceilan rode through his city with a large ruby in his hand, as the ceremony of his coronation. The gates of the palace of John the Priest were "made of sardius, with the horn of the horned snake inwrought, so that no man might bring poison within." Over the gable were "two golden apples, in which were two carbuncles," so that the gold might shine by day and the carbuncles by night. In Lodge's strange romance 'A Margarite of America', it was stated that in the chamber of the queen one could behold "all the chaste ladies of the world, inchased out of silver, looking through fair mirrours of chrysolites, carbuncles, sapphires, and greene emeraults." Marco Polo had seen the inhabitants of Zipangu place rose-coloured pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss. When the Huns lured the king into the great pit, he flung it away—Procopius tells the story—nor was it ever found again, though the Emperor Anastasius offered five hundred-weight of gold pieces for it. The King of Malabar had shown to a certain Venetian a rosary of three hundred and four pearls, one for every god that he worshipped.

When the Duke de Valentinois, son of Alexander VI, visited Louis XII of France, his horse was loaded with gold leaves, according to Brantome, and his cap had double rows of rubies that threw out a great light. Charles of England had ridden in stirrups hung with four hundred and twenty-one diamonds. Richard II had a coat, valued at thirty thousand marks, which was covered with balas rubies. Hall described Henry VIII, on his way to the Tower previous to his coronation, as wearing "a jacket of raised gold, the placard embroidered with diamonds and other rich stones, and a great bauderike about his neck of large balasses." The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap parseme with pearls. Henry II wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires.

How exquisite life had once been! How gorgeous in its pomp and decoration! Even to read of the luxury of the dead was wonderful.

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